march / april
39:2— mar/apr 2026
The Minstrel of Millennial Narcissism
Taylor Swift & the Subversion of Musical Arts by R. V. Young
conference videos (see all)
from the archives on philosophy (76 articles)
from the archives on culture (301 articles)
current columns
From Heavenly Harmony
on classical music
38.1 — Jan/Feb 2025
37.6 — Nov/Dec 2024
37.5 — Sept/Oct 2024
As It Is Written . . .
on the bible and theology
39.2 — Mar/Apr 2026
39.1 — Jan/Feb 2026
38.6 — Nov/Dec 2025
past columns
Book Returns
Touchstone looks back at recent "classics"
(2005-2009)
19.3 — April 2006
38.3 — May/Jun 2025
19.6 — July/August 2006
The Leading Edge
on intelligent design & culture
(2001–2013)
17.10 — December 2004
20.1 — January/February 2007
24.6 — Nov/Dec 2011
Contours of Culture
on books & the spirit of the age
(2009-2014)
24.6 — Nov/Dec 2011
A. J. Conyers's The Long Truce: How Toleration Made the World Safe for Power and Profit
22.7 — September/October 2009
22.6 — July/August 2009
The Matter at Hand
on events of the day
(2002–2005)
15.4 — May 2002
16.4 — May 2003
15.7 — September 2002
Practical Christianity
pondering the Christian life
(1993–2004)
9.4 — Fall 1996
11.5 — September/October 1998
17.3 — April 2004
Interviews
Touchstone interviews with persons of interest
14.6 — July/August 2001
An Interview with Bob Davies of Exodus International
book reviews
38.3 — May/Jun, 2025
Down But Not Out
Stumbling Toward Utopia: How the 1960s Turned into a National Nightmare and How We Can Revive the American Dream by Timothy S. Goeglein
A review by Allan C. Carlson
38.4 — Jul/Aug, 2025
Art & Human Ends
Beauty and Imitation: A Philosophical Reflection on the Arts by Daniel McInerny
A review by Louise McCray
38.6 — Nov/Dec, 2025
The Sexual Reformation
A Forceful and Fruitful Verse: Genesis 1:28 in Luther’s Thought and Its Place in the Wittenberg Reformation (1521–1531) by Brandt C. Klawitter
A review by Allan C. Carlson
38.6 — Nov/Dec, 2025
Latter-Day Paper Trail
Joseph Smith: The Rise and Fall of an American Prophet by John G. Turner
A review by Joseph Martin
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